Monday, April 15, 2019

Reaching The Max: An Interview With Vincent Klosterman

During my previous blog post, I regaled you all with my thoughts on Sinclair Community College's production of "All Childish Things", a play based around "Star Wars".  This particular show starred Anthony Dell'Aria as Dave Bullanski, Vincent Klosterman as Max, Joseph Herzog as Carter, and Rachel Charles as Kendra.

Last Wednesday, I caught up with Klosterman and we chatted about various topics.  These included his history with the "Star Wars" franchise, his thoughts on playing Max, and who would play him in a biopic. 

The interview has been edited for length and clarity.


MP: So, Vincent, what brought you to Sinclair Community College?

VK: In high school, I did a career tech program and with it came a $3 thousand scholarship for two full years.  That was mainly the only influence I had to come here.  

Plus, I knew that out of the schools in the area, this was the most cost-effective and had a good theatre program, so that was everything I needed.

MP: Oh, for sure.  They're definitely cost-effective. 

VK: Oh, yeah.

MP: What do you want to be when you grow up?  Would you say you would want to do theatre?

VK: I definitely want to stick with theatre.  When I came in, I wanted to do mainly theatre technology, which is all of the backstage work.  But, at the end of last semester, I ended up switching to double majoring as Theatre Performance and Theatre Technology.  

Once I move on, I'm going to focus mainly on theatre performance, and I'm deciding if I want to stick with live theatre or if I'm going to branch out into TV and voice acting as well.  That'll just come later on with more training.

MP: I see.  Since you're so interested in doing theatre, what attracted you to it?

VK: I always liked it when I was younger, but I just loved watching it then.  My freshman year of high school, one of my friends walked up to me after our band class and basically told me I was going to show up for a backstage meeting, where we met with our technical director at my high school.

I got sucked into it from there, and haven't left since.

MP: You play Max in "All Childish Things".  What sort of person is going to love this character?

VK: (laughs) The person who will love Max will be the people who can identify with anxiety, which will be any young person who comes and sees this show.

Max is the kind of character that, like, he wants to do this, he wants to have all of this stuff, but he can't get it out of his head that something could very well go wrong with it.  

I think the people who identify most with Max will be the people who want to go out and step out of their comfort zone, but are just like, "I don't know if I can do it."  That's definitely how I felt going into "All Childish Things", so it's been a cathartic role, to say the least.

MP: What do you love about your character?

VK: I just love playing him.  I love playing up the anxiety.  I love finding all of the different levels. 

We've had three performances, in addition to our major's night here, and every night, I find something new.  

I love exploring Max as a character.  I love digging into his background, figuring out each night, like, how he would feel about certain situations or how he would feel about how someone said something.  

I just love Max, because I don't think it would be as easy with the other characters.  Obviously, to have a well-written play, you'd have to have characters.  Each character has to respond to the other.  It'd be so easy to hide Max in an anxiety shell and, like, that's all he does, with a few moments where it's written in that he's not anxious.  So, I love not doing that, and exploring him and making him human.

MP: What do you hate about him?

VK: Oh, what do I hate about Max?  

I think I hate what I love, and that would be his anxiety.  It's so inhibiting, like there's so many things that if the whole scenario was real and I was an outsider watching this, I would laugh at Max.  

Definitely Max in the first act, I would think he was just a pushover, super weak, couldn't do anything with his life.  

I think that's definitely what I hate most about Max is the inability as the stuff I love about him goes.  He really is, in the first act, very easy to go one-note with.  Nothing on the playwright, because, like I said, it was also just as easy to shy away from that and give him depth.  What I hate is definitely the inhibiting anxiety factor that he has.

MP: What's the biggest challenge when it comes to taking on this role?

VK: At the beginning, the biggest challenge was lines, because, as I discovered through my acting classes and the rehearsal process, I have a very bad habit of paraphrasing lines.  

The challenge in the beginning was getting the lines down word for word.  My very first line note page was almost a full page long, but it was nice to see that go down as I got better.

Then, a couple of weeks before we opened, the biggest challenge shifted from lines to fight choreography, because Max and Kendra, at the end of the play, have a fight.  I am not, as one might say, a physically fit man.  

I remember our first fight choreography, when we first ran through the whole thing.  I had to ask for a five minute break because I was sweating profusely and couldn't catch my breath.  

It went from a mental line memorization to a physical "try not to die on stage".  It's still not something that I quite have the hang of, because I'm not gonna lose weight and physically fit within three weeks, but it's been doable.

MP: Why did you decide to audition for "All Childish Things"?

VK: I had to!  No, um ...  (laughs) ... we are required, but even if I'd seen this in the community, I would have done it.  It's good experience, and I actually went in hoping for Dave.  Even if I had gotten Max somewhere out in the world, I would've still loved it.  

I read the script during our fall musical, and I remember sitting backstage during rehearsals and chuckling to myself, because I thought the script was very funny.  I knew that I wanted to be a part of it because I wanted to be a part of bringing what I found funny on the page to life and making it funny for people who might not understand "Star Wars" or would read the script and not catch the jokes.  



Judging by our audience reactions, I think I've done a pretty good job at that.

MP: I'd agree.  Were you a fan of "Star Wars" before "All Childish Things"?

VK: I was, yes, almost by proxy because the rest of my family was.  But, I am nowhere near the level of nerd that these main characters are.  I definitely am going to be seeing the new "Star Wars" when it comes out.  I've seen everything except for "Solo", because it came out when I was busy.

I've seen almost all of the movies.  I've read some of the books.  I've dabbled in some of the comics.  I've played a good majority of the video games I can get my hands on.  Yeah, I'd say I was a nerd.  

MP: What's your history with the "Star Wars" franchise?

VK: I am definitely about as casual of a fan as you can get while still knowing more in-depth stuff.  There have been a few questions where it's like "what about this?" and I've searched to see if some of the Extended Universe stuff had covered it.  But, outside of movies and video games that I've played, I do not know much about "Star Wars".  I couldn't tell you who Yaddle is.


Yaddle, a female member of Yoda's species.

MP: What's your favorite "Star Wars" movie?

VK: It would either have to go to ... I almost said "Revenge of the Jedi" because it's a line in the play" ... "Return Of The Jedi" or "The Last Jedi".  My top three definitely go those two and then "The Force Awakens", but my top one's definitely a tie between "Return Of The Jedi" and "The Last Jedi".

MP: So, without giving anything away, what's your favorite line of dialogue in "All Childish Things"?

VK: Hmm, my favorite line of dialogue.  It would have to be one of Chris Goetz's lines.  I'd have to think of which one I like the most.

MP: Oh god, he was so funny!

VK: Oh my god, he plays his character so well!  Probably his "I'm going to the store!  Spencer's out of his Hill's Multi-Care Urinary Care with chicken-dried cat food!"  I just, I love watching him backstage when he does that.  

I've never seen somebody who was not on stage say their lines with such animation.  It's probably because he doesn't have to play a character outside of his voice, but I wish I could record him and show the audience what he does backstage.  It is something to behold!


Final Thoughts

Sinclair's "All Childish Things" was also something to behold.  Lucky audiences who witnessed the gravelly voice of Christopher Goetz playing Dave's mother or the hilarity of Max and Kendra's fight were in for quite a sight.

You can read my review of the show, which appeared on this blog last week, in this week's edition of the Sinclair Clarion newspaper!  Staff writer James Novotny also has a great second opinion of "All Childish Things" on the Clarion's website!

Did you get to see Sinclair's production of "All Childish Things"?  Did you enjoy Vincent's performance?  Are you glad that I've stopped making "Star Wars" puns?  Feel free to comment down below!

Tuesday, April 9, 2019

May The Force Be With Us: “All Childish Things”

A not so long time ago in a theater very, very near, Sinclair Community College in Dayton, Ohio premiered its production of the “Star Wars”-themed play “All Childish Things” to local audiences. 

The show, written by Michigan native Joseph Zettelmaier and directed by Nelson Sheeley, is a reference-laden comedy that follows the antics of Dave Bullanski (Anthony Dell'Aria), an avid collector of “Star Wars” memorabilia who plans on pulling off the ultimate heist. 




Dave is assisted in his quest by three of his friends: divorced Max (Vincent Klosterman), wannabe rock star Carter (Joseph Herzog), and Carter's straight-laced girlfriend, Kendra (Rachel Charles).


 
From left to right: Anthony Dell'Aria (Dave),
Joseph Herzog (Carter), and Vincent Klosterman (Max).

Their caper, which is basically “Ocean's Eleven” for geeks, involves the gang attempting to steal millions of dollars in “Star Wars” collectibles from a Kenner warehouse, where Carter works, and selling it to a private collector (Chase Niemitalo). 

Emphasis on “attempting”. 




I’ve been a fan of the “Star Wars” franchise for most of my life, and when I heard that Sinclair was doing this production at its Black Box Theatre, I was ecstatic.  My expectations weren't through the roof, however.  It seems the production didn't find my lack of faith disturbing.  



Instead, Sinclair's "All Childish Things" was better than I expected, boasting a talented cast and nostalgia that didn't feel forced.

REVIEW: 'All Childish Things' at First Folio like 'The Italian Job' of Geek Culture

In terms of the cast, I felt that Herzog and Charles were the clear standouts, in terms of main characters with a decent amount of on-stage time.  Herzog was inspiring when the script called for it and played that part well, but he also balanced the comedic and dramatic tones of the script with plenty of charm.


REVIEW: ‘All Childish Things’ Has Good Intentions, But Is Not The Play You’re Looking For

As for Charles, her first on-stage moments paint her character in a repulsive light (which she portrays quite well).  However, she comes to be an underdog in the production and shines in pivotal scenes.


I must also lend a fair amount of praise to Niemitalo as Big Man.  Though he has a reduced number of lines compared to the rest of the cast, his introduction establishes the character as a force to be reckoned with.  Niemitalo is shown to easily transition from a (not exactly "phantom") menace to a hilarious goofball who can contrast the tension with pure charm.




This brings me to the script.  The plot is somewhat predictable and though Dell'Aria, Herzog, Klosterman, and the others gave their best attempt at providing the characters in "All Childish Things" with life, they aren't exactly fleshed out.  Despite this, I was still invested enough to care about our heroes.  Also, the show's resolution was quite cliche.


A great aspect about doing a comedy that mainly concerns an existing property ("A Very Potter Musical" comes to mind also) is that the writer has a lot of material to mine references from.  



Sometimes, this nostalgia can feel forced.  An example of this is Ernest Cline's follow-up to "Ready Player One", the novel "Armada".  However, that is not the case with "All Childish Things".  


Zettelmaier uses many of his references to suit the story and advance the plot, instead of fitting them into cheap throwaway gags.  He is able to balance original story with original trilogy  and prequel nods, which is much appreciated.  The same thing can be said about Kathleen Hotmer's costume design, which calls back the first three "Star Wars" flicks while still remaining fresh.

I also really enjoyed the set and prop design, which were both done by Terry Stump.  As the action of the play is confined to one location, what's on stage cannot appear dull and uninspired.  This has certainly been achieved, as the scenery is filled with various props and set pieces that would be realistic for a "Star Wars" superfan to own.  

Even with its flaws, "All Childish Things" at Sinclair is a wonderful production that deserves to be seen by geeks throughout the galaxy.  If they don't show up, it seems they've gone to Alderaan places.  



Interested theatregoers can still see the show until April 13, as tickets are currently on sale at Sinclair's box office website.

Have you seen a production of "All Childish Things"?  What's your favorite "Star Wars" movie?  Are you wishing for me to stop making "Star Wars" puns?  Feel free to comment down below!

Monday, April 1, 2019

Five Of My Favorite Musical Productions That I've Seen

Time to tap into my memory banks.



I have been a fan of musical theatre for years.  The constant thrill of acting out scene by scene, dancing to the beat and belting out classic numbers such as "Modern Major General" and "There Is Nothing Like A Dame" is exhilarating, and watching this all go down on a stage before you gets your adrenaline pumping!


My eyes have been treated to many productions throughout the years, and they never get tired of seeing shows.  In order to bring a more local spin to the blog, here are five of my favorite productions that I have had the chance to see.


5. "The Little Mermaid", Schuster Center, August 2017


I took my girlfriend (at the time) out to see this for her birthday, and we were both highly enthralled by the show.  The production design captured the undersea environment perfectly, which was really neat.   


RELATED: Behind the Scenes: "The Little Mermaid"



Starring Diana Huey as mermaid princess Ariel, the show brings back classic Disney charm but doesn't bite off more than it can chew when it comes to nostalgia.  Jennifer Allen as evil witch Ursula and Melvin Abston as sea crab Sebastian are also both stellar in their roles.



4. "Rock Of Ages", Broadway, April 2010


Let's start this off with the most high-profile show I have been able to see!  While I was in New York for my aunt and uncle's wedding, my family got to see "Rock Of Ages", a jukebox musical starring Amy Spanger and "American Idol" finalist Constantine Maroulis.  I've loved the music of the 1980s since I was kid and the performances and orchestration were stellar.  The movie, not so much.




3. "School Of Rock", Schuster Center, October 2018


You can tell from my first post on this blog that I adore both the film and musical versions of "School Of Rock".  The Jack Black flick is one of my favorite movies of all time, so when I heard that the musical was coming to Dayton, I was ecstatic.




This is by far my pick over the two "School Of Rock" productions I saw last year.  The Schuster Center production starred Merritt David Janes in the role of Dewey Finn, along with Lexie Dorsett Sharp as Rosalie Mullins and a talented cast of youngsters (I feel old just by using that term, to be honest).  


REVIEW: "School Of Rock" Brings Down The House at the Schuster Center




The improvisation and delivery of the cast mixed with excellent direction, set design and orchestration made this one a rocking good time!

2. "Wicked", Ohio Theater, August 2016 


Though I didn't get to see the entire musical since I was late, this production was really impressive.  Written by Winnie Holzman with music by Stephen Schwartz, this "Wicked"-ly "Popular" show starred Emily Koch as Elphaba, the Wicked Witch of the West, and Amanda Jane Cooper as Glinda the Good.  Other cast members include Stuart Zagnit as the Professor and Jake Boyd as Fiyero.


Puns aside, all of the songs in the show are performed with gusto.  "Defying Gravity" is the closing song for the first act; it sent literal chills up my spine as Elphaba "defied gravity", both literally and metaphorically.




HONORABLE MENTIONS


"Mary Poppins", Victoria Theatre, April 2013
  

"Toxic Avenger", Sinclair Community College, April 2017


"Fiddler On The Roof", Wright State University, November 2017


"Be More Chill", Sinclair Community College, October 2018

1. "Legendale", Loft Theatre, October 2017


It was so nice, I saw it twice!  This particular production was the American premiere of "Legendale", a fantasy musical that looks like "Ready Player One" and "The Legend Of Zelda" had a child.  


Office worker Andy dreams of escaping his boring life, and plays the online game "Legendale".  When he gets wind of a tournament with huge stakes on the line, Andy teams up with his gaming crew and other allies to become "Lord of Legendale".




I was able to see a dress rehearsal of this show and then came back to see the full thing again; that proved totally worth it.  The cast members all give excellent performances and the set design feels creative and immersive.  Jeff Bienstock and Andrea Daly have crafted a unique variety of songs to accompany the madness.  My personal favorite is "I've Got A Rock".





In conclusion, more people need to see the show.  It's hilarious and heartfelt rolled into one big, beautiful theatre burrito.

RELATED: New Musical Comedy Spoofs Online Gamers


What are your favorite productions of musicals that you have seen?  Does one theater host many of your top picks?  I bet that some of those productions to you were "Legendale"-y!  


Okay, I'll stop with the puns now.  In the meantime, feel free to comment down below!

Tuesday, March 26, 2019

Delaying The Inevitable: "Hamilton"

I was bound to write about this musical eventually, and it seems this is the day.  Today, I am not throwing away my shot to talk about "Hamilton"!

Written and composed by theatre giant Lin-Manuel Miranda, the show premiered on Feb. 17, 2015 at the Off-Broadway Public Theatre to rave reviews.  Transferring to the Richard Rodgers Theatre in August 2015, critics lauded the show and tickets have been selling like hotcakes ever since.  It was even nominated for 16 trophies at the 2016 Tony Awards, winning 11.



After purchasing a copy of Ron Chernow's biography of Alexander Hamilton at an airport, Miranda became fascinated with the life of the founding father and began to imagine that life as a musical.  Originally, Miranda envisioned a Hamilton musical as a mixtape and performed the opening song, "Alexander Hamilton", at the White House Poetry Jam in 2009 to great applause.  



The rest is history (literally).

An Exclusive Sneak Peek at "Hamilton: The Exhibition" Coming to Chicago

Few of the actors from "Hamilton"'s workshop days reprise their roles in the Off-Broadway production.  Miranda, who played Alexander Hamilton, was joined by Daveed Diggs, who played French revolutionary Lafayette and politician Thomas Jefferson, and Christopher Jackson, who portrayed the first American president, George Washington.

I will admit right now that I have not seen a full production of "Hamilton".  However, the musical is mostly sung through, which makes it a lot easier to listen to the whole show and visualize what's on stage.  

Lin-Manuel Miranda Brings ‘Hamilton’ to a Troubled but Appreciative Puerto Rico

Let's start off with the writing!  Each character has their own style of lyrical flow.  Alexander Hamilton mainly uses polysyllabic rhymes; for example, in the song "Non-Stop", Hamilton pairs the phrase "be Socrates" with the word "mediocrities".  However, he switches to the exact opposite rhyming scheme in the beginning of "The Room Where It Happens", as he has Maria Reynolds, a temptress from the previous song, "Say No To This", on the brain.

Meanwhile, George Washington mainly sings in glossy prose
with polished lyrics, which does make sense for his dignified character.



The acting is also very impressive.  Miranda deliberately casts talent of different ethnicity and gender than the real people.  Okieriete Onaodowan, born in New Jersey to Nigerian parents, plays James Madison and Hercules Mulligan, two fair-skinned men, while Phillipa Soo, a half-Chinese woman, plays Elizabeth Schulyer, Hamilton's wife.  The direction, lighting, set design, and choreography is also well done.

Finally, there comes the eternal question: "what is my favorite song from the musical?"  Personally, I used to adore "My Shot" (due to the impressive lyrics), but my current favorite song from "Hamilton" is "The Room Where It Happens", a tune detailing a closed-door meeting between Hamilton, Jefferson, and Madison from Aaron Burr's perspective.  



What I really love about this musical is how there's always new to discover.  You can listen to or watch the musical multiple times over, which I have done, and still not catch an important detail or an instance of embedded foreshadowing.




The current Broadway cast of "Hamilton" includes Austin Scott as the title character, Denee Benton as Elizabeth Schuyler, Mandy Gonzalez as Angelica Schulyer, James Monroe Iglehart as Jefferson/Lafayette, Daniel Breaker as Aaron Burr, and Euan Morton as King George III.  

Tickets for the nationwide "Philip", "Angelica", and "And Peggy" tours are available now

New Hamilton Tour to Star Julius Thomas III and Donald Webber Jr.

What is your opinion of "Hamilton"?  Do you think it deserves the praise it's getting?  Do you have a favorite song from the show?  Feel free to leave a comment down below!

Tuesday, March 19, 2019

Ten Broadway Facts For The Theatre Nerd In You

"I feel it is my job in life to provide helpful tidbits, and it is Tim Horton's job in my life to provide helpful Timbits."


The above quote is from yours truly.  Since I was a little kid, I have been fascinated by trivia and fun facts related to all different areas of knowledge.  I even competed on my high school quiz team with this acquired knowledge, scoring major wins with my teammates.


Today's post will be a fact dump of neat Broadway facts that I have acquired recently.  Next week will be another review of a popular musical! In the meantime, here are 10 musical theatre facts that will surely satisfy the trivia nerd in you.


1. The cost of a Broadway ticket is about $95 on average.


 


This is less than I anticipated.  However, as I am a college student trying to get by, I'm still going to pass, no matter how much I want to see "Be More Chill".


2. In 2012, Broadway ticket offices sold 12.4 million tickets!


9,081,636 of these tickets were sold for musical attendees. That number rose to 11,454,081 for the 2017-2018 season!




3. The first production on Broadway was produced by legendary showman P.T. Barnum in 1870.




That must've been the greatest show!  You can throw popcorn at me now.


4. The longest running show on Broadway is "The Phantom Of The Opera".  It premiered on Jan. 26, 1988. As of March 19, 2019, it has run for 12,959 performances.




The second-longest running show is "Chicago", which has had 9,283 performances so far!


5. Theatres in New York City must follow specific criteria in order to be considered a "Broadway" theatre.  


They must seat at least 500 people and have to be located between 40th Street and 54th Street, west of 6th Avenue and east of 8th Avenue.


6. There are a total of 41 Broadway theatres.  However, if you look at the number of Broadway theatres actually located on Broadway, the number is drastically reduced to four.




The Circle In The Square Theatre, the Marquis Theatre, the Palace Theatre, and the Winter Garden Theatre are the only theatres located on the street known as Broadway.


7. Speaking of the street, Broadway is the most lengthy road in the city.  It runs for 33 whole miles, starting in Lower Manhattan and ending in Albany.




The street was originally called Brede Weg by the Dutch, which can be literally translated into "Broad Way".


8. Broadway theatres do not have a row designated with the letter "I".  Why is this? Too many theatregoers were discouraged after realizing that "Row 1" on their ticket was actually row I, so the row designation was dissolved.


Another reason behind the change?  Ticketholders who had tickets to that row went to the front row instead of the ninth and got into fights.  



If I was a theatregoer with a "Row I" ticket, I would think it meant a first row ticket also, so I'm not surprised that they made this change.


9. The highest grossing Broadway show is "The Lion King".


Based on the 1994 Disney flick, the "Lion King" musical has made over $1.4 billion in ticket sales.  This amounts to around $2 million each week.




Just this week, the show has made over $2.024 million, coming in second to recent powerhouse "Hamilton".


10. The Palace Theatre, located on Broadway, is said to be haunted, with around 100 spirits passing through.  Popular supernatural visitors include the ghosts of actress Judy Garland and acrobat Louis Bossalina.




What is your favorite tidbit of Broadway trivia?  Have you ever seen a spirit lurking in the Palace Theatre?  Would you accidentally go to the wrong row if you had a ticket for row I? Feel free to comment down below!